Things You Never Knew You Needed Until Now...

Repose Nesting Dolls by Belles Lettres

Recycled Fur Necklace by Sara Lagacé

French Love and L'Alcool T-Shirt by Cubist Literature




Josef Frank textiles and furniture at Svenskt Tenn

Sugar Creme Organic Cane Sugar Emulsifying Scrub by Gloi Soap

Antler Girl Brooch by My Cavalier

Felt Flower Fairy Cakes by British Cream Tea

Azurite and Teak Ring by Unbunny

Vegan Handmade Perfumes by Sweet Anthem Handmade Perfumes



Victorian "Masterpiece Theatre" prints at the bazaarium

Happy Independence Day!!

If you live in the States, you are probably preparing for a long, hot Saturday filled with grilled meat [or veggie burgers] and lots of fireworks! Corny as it might sound, right now I am just feeling very grateful for my home and the opportunities and liberties I've been given.

I kinda-sorta really like you, America. And here are a few reasons why:

♥ Levis, Coca-Cola, and cowboy boots.

♥ Diners and greasy-spoons.

♥ Route 66 [I'm lucky enough to live right on the longest remaining strip of Route 66 in the U.S!].

♥ The plethora of swimming pools.

♥ Grilling outside with family and friends.

♥ The abundance of hilarious political humor.

♥ Elvis, Michael Jackson, and Patsy Cline.

♥Cheeseburgers, hot dogs, and french fries.

♥ Wide, open spaces.

♥ Fiery pink sunsets.

♥ Cicada songs.

♥ Buffalo and Prairie Dogs.

♥ And lastly [probably because I am feeling very heart-sore for Iran right now], I feel really appreciative of the freedom we share to say whatever the heck we darn well please and change things when we are truly fed up!

Happy 4th of July, and I wish everyone a wonderful weekend!!

Yinka Shonibare MBE

I often seem to be more enamored by art of the past than contemporary art. There are always exceptions to the rule, of course, and sometimes an artist just comes along that takes my breath away, and I have to bring myself -- body and soul -- back to the present. Yinka Shonibare is just one of those artists...



The new exhibition of his work at the Brooklyn Museum of art is a major midcareer survey of work by the Nigerian-born British artist. According to the museum description: "Shonibare’s artwork explores contemporary African identity and its relationship to European colonialism through painting, sculpture, installation, and moving image. Working with visual symbols such as Dutch wax fabric (produced in Europe for a West African market) and headless mannequins dressed in brightly colored costumes, Shonibare evokes the complex web of interactions, economic and racial, that reveal inequalities between the dominant and colonized cultures of Europe, Asia, and Africa."

A key material in Shonibare's work since 1994 are the brightly coloured 'African' fabrics (Dutch wax-printed cotton) that he buys himself from Brixton market in London.

"But actually, the fabrics are not really authentically African the way people think," says Shonibare. "They prove to have a crossbred cultural background quite of their own. And it’s the fallacy of that signification that I like. It’s the way I view culture—it’s an artificial construct [Wikipedia]."

He has these fabrics made up into Victorian dresses, covering sculptures of alien figures or stretched onto canvases and thickly painted over.



Of course, the political and historical implications of his work resonate with the violence and racism of the past, of Western imperialism, and of the erasure of African culture in favor of European culture, art, and costume [which is still happening, many would argue].





The repetition of the missing head in many of his sculptures works to emphasize the erasure of identity and race, while the theatrical and decadent costumes create a polarity between the false and the real -- what is missing and what is being lied about? Does the costume represent the only identity that matters? Can the African identity simply be morphed and tailored into something else? The beautiful pattern and fabric decorate and cover a harsher reality.

For more information on Shonibare's show in Brooklyn, check out the museum site.

Current Obsession: The 20's Cloche Hat

I've got quite a weakness for hats and haberdashery! Up until now, I've always thought of hats as a casual, throw-it-on-when-you're-lazy kind of accessory, but these gorgeous 20's style hats and cloches by Yellow Field 7 have me thinking that the fancy cocktail hat needs to make a comeback!

And just look at these dashing vintage ladies, sleek and oh-so-gamine in their cloches...

All vintage images from My Vintage Vogue